{"id":7595,"date":"2023-07-25T19:19:39","date_gmt":"2023-07-25T19:19:39","guid":{"rendered":"https:\/\/bskynyc.com\/wordpress\/?page_id=7595"},"modified":"2026-03-24T01:24:33","modified_gmt":"2026-03-24T01:24:33","slug":"cv-2","status":"publish","type":"page","link":"https:\/\/bskynyc.com\/index.php\/cv-2\/","title":{"rendered":"CV"},"content":{"rendered":"\n
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Beth Warshafsky is an artist whose work spans drawing, video, animation, live projection, photography, and text-based work including artist\u2019s books. She often collaborates with musicians and dancers and is interested in the correspondences between sound, image, and movement as well as text and image. Her early background as a painter informs her approach to video, composition, and design. Her work moves between the amorphous boundaries of still and moving images in physical and digital spaces.<\/p>\n\n\n\n

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Exhibitions & Performances:<\/h1>\n\n\n\n
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2026<\/p>\n<\/div>\n\n\n\n

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Experimental Intermedia Festival:<\/strong> Screen Compositions 22<\/a>, curated by Katherine Liberovskaya, “Coming and Going,” with musicians C\u00e1ssia Carrascoza Bomfim, Viv Corringham, Jane Wang, Microscope Gallery, New York, NY<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2025<\/p>\n<\/div>\n\n\n\n

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NowNet Arts Lab Ensemble:<\/strong> Performance Demonstration live over zoom. Composed\/Conducted by Sarah Weaver.
Vision Festival, <\/strong>Roulette Intermedium, Brooklyn NY, <\/strong>How the Dust Falls Quartet, presented by\u00a0#artforart<\/a>. Izumi Kimura – piano, Earl Howard – synthesizer, sax, Gerry Hemingway – drums, percussion, voice, Beth Warshafsky – interactive video projection
Antioch College Alumni Art Show<\/strong>,\u00a0Herndon Gallery, Yellow Springs, Ohio<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2024

<\/p>\n<\/div>\n\n\n\n

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NowNet Arts Conference – Eastern Hemisphere Network Arts Aesthetics<\/strong>
Correspondences\u2014on-site and networked Demo\/ Performance with the musicians C\u00e1ssia Carrascoza Bomfim, Viv Corringham, Jane Wang and Tim O\u2019Dwyer.
Video projection<\/strong> for Gerry Hemingway\u2019s solo performance @ahoi Lucerne, Switzerland
NowNet Arts Lab Ensemble: <\/strong>Virtual performance\/Demo, \u201dIn 3,\u201d Composed by Sarah Weaver<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2023<\/p>\n<\/div>\n\n\n\n

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\u2018Beyond the Blue\u2019<\/strong> video projection with Pieta Brown and Liz Draper presented by The Cedar Cultural Center in collaboration with Square Lake Film Festival
NowNet Arts Hub: Interloculation Flow<\/strong>, a virtual ensemble utilizing network arts led by composer Sarah Weaver<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2022<\/p>\n<\/div>\n\n\n\n

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VideoEx,<\/strong> \u2018<\/strong>Translucent Borders\u2019<\/strong><\/a>, performance with composer Gerry Hemingway, Zurich, Switzerland           
\u2018<\/strong>Screen Compositions 18\u2019<\/strong><\/a> curated by Katherine Liberovskaya for Experimental Intermedia, NY, NY
NowNet Arts Hub: Interloculation Flow<\/strong> directed by Sarah Weaver. In partnership with Experimental
Intermedia and Harvestworks<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2021<\/p>\n<\/div>\n\n\n\n

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Stalk,<\/strong> animation and compositing for live performance and projection by Ericka Beckman for Performa 2021 Biennial NYC<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2020
<\/p>\n<\/div>\n\n\n\n

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SuperWorm Moon (V2)  \u2018<\/strong>Screen Compositions 18\u2019<\/strong> <\/a>curated by Katherine Liberovskaya for Experimental Intermedia, NY, NY
SuperWorm Moon (V2) <\/strong>Seeing Sound Conference Screenings<\/a>, <\/strong>Bath, England
OpticSonic [e]lab<\/strong>, invited with Gerry Hemingway to compose a virtual performance followed by Q and A     
SuperWorm Moon,<\/strong> single-channel video in collaboration with the band portal iii, Winter Solstice Screening organized by Paul Creager of Square Lake Festival       
NowNet Arts Lab Ensemble <\/strong>Deep Field Synthesis performed by the NowNet Arts Hub, directed by Sarah Weaver 
OpticSonic Marathon<\/a>,<\/strong> A community collaborative, audio-visual live improvisation network event featuring 70 live visual and live audio artists from around the world<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2019<\/p>\n<\/div>\n\n\n\n

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The Square Lake Film + Music Festival<\/strong>, Minneapolis, MN, The Visiting Tank <\/em>with live score by musicians Charlie Parr, Liz Draper, and Chris Gray
STRANGELSCOPE Video, Film and Performance Festival<\/strong>, Sao Paulo, Brazil
Brda Contemporay Music Festival<\/strong>, Smartno, Slovenia
Soup and Sound<\/strong>, live performance with Gerry Hemingway, curated by Andrew Dury, Brooklyn, NY<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2018
<\/p>\n<\/div>\n\n\n\n

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The Option Series,<\/strong> Experimental Sound Studios, Chicago, IL, video for composer Gerry Hemingway
Michigan City Video Festival<\/strong> curated by Elise Kermani
Amsterdam International Film Festival,<\/strong> nomination Music, Film & Animation for The Visiting Tank<\/em> with composer Gerry Hemingway
Screen Compositions 14 <\/strong>curated by Katherine Liberovskaya, NY, NY
Seeing Sound Symposium<\/strong>, BathSpa University, England<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2017<\/p>\n<\/div>\n\n\n\n

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Black Maria Film Festival<\/strong>; finalist \u2013 Jersey City, NJ<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2016

<\/p>\n<\/div>\n\n\n\n

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32nd Hamburg International Short Film Festival<\/strong>. Film + Klang: Syncronicitie<\/em>, Anthrobits
<\/em>The Cell<\/strong> \u2013 Sound Geometries<\/em> and Calling You, <\/em>performance with composer Gerry Hemingway, NY, NY
Pyramid Club<\/strong> \u2013 Aukland, New Zealand, performance with composer Gerry Hemingway
Audio Foundation<\/strong> \u2013 Aukland, New Zealand, video projection for composer Gerry Hemingway<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2015
<\/p>\n<\/div>\n\n\n\n

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KLEX, Kinders Gallery<\/strong> \u2013 Kuala Lumpar, Malaysia, Experimental Film, Video and Music Festival, video projection for composer Gerry Hemingway
The Stone<\/strong> \u2013 NY, NY, perfomance with Gerry Hemingway
Film Anthology Archives<\/strong> \u2013 NY, NY, performance, \u2018Another Experiment by Woman Film Festival\u2019 Curated by Lili White
ZOO <\/strong>\u2013 Bangkok, Thailand, video projection with composer Gerry Hemingway,
The Last Brucenial<\/strong> \u2013 Group Show, NY, NY<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2013<\/p>\n<\/div>\n\n\n\n

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Roulette<\/strong> \u2013 Brooklyn, NY, performance with composer Gerry Hemingway,
Spectrum<\/strong> \u2013 NY, NY, performance with composer Gerry Hemingway
Kleinetheater<\/strong> \u2013 Luzern, Switzerland, performance with composer Gerry Hemingway<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2012
<\/p>\n<\/div>\n\n\n\n

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Creon Gallery,<\/strong> Video By Night, Group Show \u2013 NY, NY
Bruce High Quality 2012 Biennial<\/strong>, Group Show -NY, NY<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2011
<\/p>\n<\/div>\n\n\n\n

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Guelph Jazz & Nuit Blanche Festival<\/strong> \u2013 Ontario, Canada, performance with composer Gerry Hemingway
Screen Compositions 7<\/strong>, curated by Katherine Liberovskaya for Experimental Intermedia, NY, NY<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2010
<\/p>\n<\/div>\n\n\n\n

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Follow the Sound 2010 deSingel International Kuntscamus<\/strong> \u2013 Antwerp, Belgium, video projection with composer Gerry Hemingway,  A Retrospective Screening of Collaborative work with Gerry Hemingway
9th Korea Experimental Arts Festival<\/strong> \u2013 Seoul, Korea
The BITT Festival<\/strong>, 3 Artrang Gallery \u2013 Seoul, Korea
The Brucennial: Miseducation<\/strong>, Group Show- NY NY
Step Across the Border Festival<\/strong>, Kleinetheatre, Luzerne, Switzerland, The Visiting Tank,<\/em> projection with live chamber works composed by Gerry Hemingway<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2009<\/p>\n<\/div>\n\n\n\n

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Tricky Women Animation Festival<\/strong> \u2013 Vienna, Australia<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2008<\/p>\n<\/div>\n\n\n\n

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The KU Exhition of International Professors<\/strong> \u2013 Seoul, Korea<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2007<\/p>\n<\/div>\n\n\n\n

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The Mobile Archive Project<\/strong>, Presented by The Israel Center for Digital Art, Traveling Group Show; Kumstverein, Hamburg, Germany, WYSA Art Institute, Gdansk, Galerija Nova, Zagreb, Croatia, Skuc Gallery, Ljubljana, Slovenia<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2006
<\/p>\n<\/div>\n\n\n\n

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The Archive Project<\/strong>: The Israel Center for Digital Art, Group Video Show, Holon, Israel
Subtropics Experimental Music & Sound Arts Festival<\/strong> \u2013 Miami, FL
Ohio University Art Galleries<\/strong> \u2013 Athens, Ohio, Maternal Metaphors II: Artist, Mothers, curated by Myrel Chernick<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2005<\/p>\n<\/div>\n\n\n\n

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{BAP} Bushwick Arts Project,<\/strong>Video Program \u2013 Brooklyn, NY
Visual Music from iota<\/strong>: DVD \u2013 Compiled by Michael Betancorps<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2004
<\/p>\n<\/div>\n\n\n\n

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The 15th Brazilian Haical Summit<\/strong> , The 2nd International Haiku Image Festival, Camapinas, Brasil
SIGGRAPH 2004: Art Show: Synethesia<\/strong>, Los Angeles, CA
The 7th MADCAT Womens Film Festival<\/strong>: Traveling Show
The Rochester Contemporary<\/strong> \u2013 Rochester, NY, Maternal Metaphors: Artist, Mothers, Artwork curated by Myrel Chernick
Whitney Museum\u2019s \u201cWar! Protest in America 1965-2004\u201d
\u201c60 Cameras Against the War\u201d<\/strong> by Julie Talen (One of the Cameras)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2003
<\/p>\n<\/div>\n\n\n\n

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The 7th MADCAT Womens Film Festival:<\/strong> San Francisco, CA
SIGGRAPH 2003: Art Gallery <\/strong>: Digital Prints \u2013 San Diego, CA
The V International Digital Art Exhibit<\/strong> \u2013 Havana, Cuba<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2002<\/p>\n<\/div>\n\n\n\n

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Not Still Art Festival<\/strong> \u2013 Brooklyn, NY<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2001<\/p>\n<\/div>\n\n\n\n

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Future Factory \u2013 JJ: Another Strange (?) Bedfellow<\/strong> \u2013NY, NY, Animated Projections for a play and performance by Amy Guggenheim<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1996<\/p>\n<\/div>\n\n\n\n

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Broadcast Design Association <\/strong>\u2013 Singapore \u201c8 AM\u201d
PBS: \u201cWEB DuBois: A Biography in Four Voices,\u201d<\/strong> by Louis Massiah Graphics Producer, Animation and Compositing<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1994<\/p>\n<\/div>\n\n\n\n

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NYC SIGGRAPH \u201994 : Experimental Animation,<\/strong> NYC NY<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1993<\/p>\n<\/div>\n\n\n\n

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ASIFA EAST<\/strong> \u2013 NY, NY, Group Show, Shaking Up the New Medium Independent Animators Refine Animation<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1992<\/p>\n<\/div>\n\n\n\n

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Barbara Warwick Gallery<\/strong> \u2013 Seattle, WA, Group Show: Trees<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1991<\/p>\n<\/div>\n\n\n\n

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Barbara Warwick Gallery<\/strong> \u2013 Seattle, WA Group Show, Blah, Blah, Blah<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1990
<\/p>\n<\/div>\n\n\n\n

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ACM SIGGRAPH \u201990<\/strong> \u2013 Dallas, TX Frames Per Second, Video Art Screening curated by Dean Winkler
MAGINA \u201990<\/strong> \u2013 Paris, France, Emerging Artists Show, Animation
SOHO 20 & Friends<\/strong> \u2013 NY, NY Group Show<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1989<\/p>\n<\/div>\n\n\n\n

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ACM SIGGRAPH \u201989<\/strong> \u2013 Boston, MA, Film and Video Show, The Margaux Cartoon<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1984<\/p>\n<\/div>\n\n\n\n

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Silvermine Guild School for the Arts<\/strong> \u2013 New Canaan, CT, Prints to Drawings curated show
Columbia University, Teachers College<\/strong> \u2013 NY, NY,  Stageless Dance en Route, camera artist & performer<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1983<\/p>\n<\/div>\n\n\n\n

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Bob Blackburn Printmaking Workshop: Educational Programs<\/strong>, Documentary Director<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Selected Awards:`<\/h1>\n\n\n\n
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2012<\/p>\n<\/div>\n\n\n\n

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Faculty Development Fund Grant<\/strong>, Pratt Institute<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2009<\/p>\n<\/div>\n\n\n\n

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Faculty Development Fund Grant<\/strong>, Pratt Institute<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1991<\/p>\n<\/div>\n\n\n\n

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Bronze, Broadcast Design Association<\/strong>, Best PSA, National, International, \u2018\u2019Snip the Rings,\u2019\u2019 Artist, Art Director
Ohio State University Awards<\/strong>, Excellence in Education, Information & Public Affairs -Nickelodeon, MTV, \u2018\u2019Snip the Rings\u2019\u2019, Artist, Art Director<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1990<\/p>\n<\/div>\n\n\n\n

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Silver, Broadcast Design Association, Best Campaign IDS<\/strong>, Nickelodeon, MTV, \u2018\u2019Elephants,\u2019\u2019 Producer, Art Director, Artist
<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Professional Experience:<\/h1>\n\n\n\n
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2024
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NowNet Arts Conference \u2013 Eastern Hemisphere Network Arts Aesthetics
Artist\u2019s Talk: Correspondences: Image, Sound, and Movement in Local and Networked Performances<\/strong>, panelist
LASALLE: University of the Arts<\/strong>, Shared Campus Summer School. Taught a workshop on video and live compositing.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2019<\/p>\n<\/div>\n\n\n\n

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FATE Conference<\/strong> \u2013 Columbus, OH, Panel Co-Chair: Scaffolding \u2014 connecting concepts and process. Presentation: \u2018The PhotoRoman\u2019<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2018
<\/p>\n<\/div>\n\n\n\n

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Compositing Consultant<\/strong>, Ericka Beckman, Film Maker
Seeing Sound Symposium<\/strong> \u2013 BathSpa University, GB<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2017<\/p>\n<\/div>\n\n\n\n

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FATE Conference<\/strong> \u2013 Kansas City, MO, Panel: Make it Move!<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2015
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Centre Pompidou<\/strong>, Atelier; Studio 13-16 \u2013 Paris, FR. In connection with the \u201dNew Festival\u201d and Ericka Beckman\u2019s \u2018Hiatus 2-screen Installation I designed and was the Technical Director of an interactive experience for teenagers and pre-teens as part of the Educational Forum at the Pomopidou. Responsible for training staff to implement the workshop.
FATE Conference<\/strong> \u2013 Indianapolis, GA, Panel: 4D Foundations; New Media in an Old Media Classroom
Oxford University Press<\/strong> \u2013 Review of Ellen Mueller\u2019s Book \u2018Elements and Principles of 4D Art and Design
ARRAYLIST: New Media Foundations for Art and Design Education<\/strong> Created by Adam Trowbridge and Jessica Westbrook as part of arrayproject.com. Thread leader for New Media Foundations: Sound
NYU \u2013 ITP<\/strong>: Make Education Camp for Educators<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2013<\/p>\n<\/div>\n\n\n\n

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FATE Conference<\/strong> \u2013 Savannah, GA. Panel: From Moment to Momentum<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2012<\/p>\n<\/div>\n\n\n\n

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Hochschule<\/strong> \u2013 Luzerne, Swiitzerland, Music and Art Performance Master\u2019s Program Sound and Image Correspondences: Master Class<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2011
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ISEA2011<\/strong> \u2013 Instanbul, Turkey, Artist\u2019s Panel: The Big Bang of Electronic Art: Merging Abstraction and Representation in the Age of Digital Imaging<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2010<\/p>\n<\/div>\n\n\n\n

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The President\u2019s House<\/strong> \u2013 Philadelphia, PA, Post-production and Computer Graphics Art Director of Interactive Video Installations for Director Louis Massiah
Swarthmore College \u2013 Lang Performing Arts Center<\/strong> \u2013 Swarthmore, PA \u201cHistory as Cultural Work: The President\u2019s House Project in Philadelphia; Panel<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2009<\/p>\n<\/div>\n\n\n\n

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College Art Association Conference <\/strong>\u2013 Los Angeles, CA. Panel; Digital Technology in Foundation Studies; If, How and Why<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2007<\/p>\n<\/div>\n\n\n\n

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Pratt at Munson Williams Proctor<\/strong> \u2013 Ithaca, NY. Visiting Artist, Lecture<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2003 – 2007<\/p>\n<\/div>\n\n\n\n

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Brooklyn International Film Festival<\/strong> \u2013 Judge Experimental Film and Animation
<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2005<\/p>\n<\/div>\n\n\n\n

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SIGGRAPH 2005<\/strong> \u2013 Los Angeles, CA. Art Show Promo Reel, Producer and Art Director<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2002
<\/p>\n<\/div>\n\n\n\n

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Adobe Partners\u2019s by Design, Profiles<\/strong> \u2013 Featured Educator, Artist
DIS (Denmark\u2019s International Study Program<\/strong>) \u2013 Visiting Critic<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1996<\/p>\n<\/div>\n\n\n\n

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PBS: \u201cWEB DuBois: A Biography in Four Voices,\u201d<\/strong> by Louis Massiah, Graphics Producer, Animator<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1991 – 2024
<\/p>\n<\/div>\n\n\n\n

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bSKY<\/strong> \u2013 NY, NY. Principal; conducting business as independent artist, animator, producer, and director specializing in video and motion graphics. Clients include HBO, BBDO, Nickelodeon, Children\u2019s Television Workshop, CWC Japan, Est\u00e9e Lauder, Avon, Liz Claiborne, WEB DuBois Film Project, Scribe Video, Centre Pompidou<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1988 – 1994 <\/p>\n<\/div>\n\n\n\n

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Electric Picture Works<\/strong> \u2013 NY, NY. Art Director, Designer, Animator, Post-producer
<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1984 – 1988
<\/p>\n<\/div>\n\n\n\n

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National Video Center & Recording Studios<\/strong> \u2013 NY, NY Designer, Animator
<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Teaching Experience:<\/h1>\n\n\n\n
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1996 – 2024 <\/p>\n<\/div>\n\n\n\n

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Pratt Institute<\/strong>, Foundation, Brooklyn, NY, Professor, CCE
From 1997-1999 Prof. Warshafsky developed a new mandatory course for all first-year Foundation Art and Design students at Pratt \u2013 Four-Dimensional Design (4D). She helped design new classroom computer labs and resources for this course, wrote curriculum and trained faculty. 4D (now called Time & Movement) was one of the first in the country to consider how to teach time-based media to students, including introducing students to digital skills within a Foundation context. The course focuses on time-based structures including sound-image relationships, video editing, and animation. Skills in timing and spacing in both analog and digital media are emphasized. Warshafsky served as the coordinator of the 4D course for 20 years, helping to shape its growth and evolution as a discipline.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1998 \u2013 2007 <\/p>\n<\/div>\n\n\n\n

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Digital Arts, Motion Graphics and Video Editing; Graduate and undergraduate levels.
<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2001 \u2013 2002<\/p>\n<\/div>\n\n\n\n

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Acting Chair, Department of Computer Graphics and Interactive Media (CGIM). Lead undergraduate and graduate students during a transitional year in terms of technology and curriculum. Oversaw the disciplines of 2D animation, 3D animation, Interactive Media, and Digital Arts.
Graduate Chair, Academic Senate, Academic Initiatives<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1996 \u2013 1999<\/p>\n<\/div>\n\n\n\n

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Visiting Instructor, Foundation, and CGIM. Courses: 4D, Printmaking and the Computer, Video Editing
<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2005 \u2013 2024<\/p>\n<\/div>\n\n\n\n

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New York University<\/strong>, Division of Applied Undergraduate Studies (DAUS) \u2013 NY, NY. 
Special Projects, MS Program in Digital Imaging and Design<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2014 \u2013 2016 <\/p>\n<\/div>\n\n\n\n

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New York Institute of Technology<\/strong>, Computer Graphics, Time Based Design, Undergraduates Motion Graphics Design, Master\u2019 Program, Digital Art and Design Designed and implemented the first course and Syllabus for Motion Design<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1996 \u2013 2000 <\/p>\n<\/div>\n\n\n\n

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Pratt Manhattan, Continuing Education<\/strong> <\/strong><\/strong>\u2013 NY, NY Visiting Professor, Video Editing and Motion Design
<\/p>\n<\/div>\n<\/div>\n\n\n\n

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2000<\/p>\n<\/div>\n\n\n\n

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Parsons School of Design<\/strong> \u2013 NY, NY Visiting Professor, Center for New Design, Making Commercials, a collaborative course with students from different Departments working in teams to create promos about Parsons. Head of a teaching team of three.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1982 \u2013 1984 <\/p>\n<\/div>\n\n\n\n

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Silvermine Guild Center for the Arts<\/strong> \u2013 New Canaan, CT Faculty, Printmaking and Drawing
<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n

Education:<\/h1>\n\n\n\n
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1981 \u2013 1983<\/p>\n<\/div>\n\n\n\n

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MFA Printmaking and Painting, Columbia University<\/strong> \u2013 NY, NY<\/p>\n<\/div>\n<\/div>\n\n\n\n

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1970-1975<\/p>\n<\/div>\n\n\n\n

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BFA Painting, Antioch College<\/strong> \u2013 Yellow Springs, Ohio<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Beth Warshafsky is an artist whose work spans drawing, video, animation, live projection, photography, and text-based work including artist\u2019s books. She often collaborates with musicians and dancers and is interested in the correspondences between sound, image, and movement as well as text and image. Her early background as a painter informs her approach to video, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"blank","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":""},"class_list":["post-7595","page","type-page","status-publish","hentry"],"mb":[],"jetpack_shortlink":"https:\/\/wp.me\/P5MOLC-1Yv","jetpack_sharing_enabled":true,"featured_media_urls":[],"mfb_rest_fields":["title","jetpack_shortlink","jetpack_sharing_enabled","featured_media_urls"],"_links":{"self":[{"href":"https:\/\/bskynyc.com\/index.php\/wp-json\/wp\/v2\/pages\/7595","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bskynyc.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bskynyc.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bskynyc.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bskynyc.com\/index.php\/wp-json\/wp\/v2\/comments?post=7595"}],"version-history":[{"count":50,"href":"https:\/\/bskynyc.com\/index.php\/wp-json\/wp\/v2\/pages\/7595\/revisions"}],"predecessor-version":[{"id":8769,"href":"https:\/\/bskynyc.com\/index.php\/wp-json\/wp\/v2\/pages\/7595\/revisions\/8769"}],"wp:attachment":[{"href":"https:\/\/bskynyc.com\/index.php\/wp-json\/wp\/v2\/media?parent=7595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}